Dr Percy Leung
Humanities and Social Science
Faculty of Arts Professional and Social Studies
Email: P.P.Leung@ljmu.ac.uk
Percy Leung is a cultural and music historian of modern Europe. He holds degrees from St Andrews (PhD), Cambridge (MPhil) and Durham (BA) Universities, and he is a fellow of the Royal Asiatic Society and the Royal Society of Arts, as well as an associate fellow of the Royal Historical Society.
Percy is currently Lecturer in Modern Western/Central European History at Liverpool John Moores University. Previously, he taught at the Universities of Oxford, Cambridge and St Andrews, the Humboldt University of Berlin and Queen Mary University of London, where he received an award for teaching excellence.
Percy's research focuses on the social, cultural and political impact of classical music on European societies from 1870 to 1991, a period that moved from the Belle Époque to war, barbarism and ideological extremes. His research interests comprise three strands. Firstly, he specialises in Anglo-German comparative music history between 1914 and 1945, investigating why, despite being on opposite sides in the two World Wars, Germany and Britain shared a profound cultural and musical affinity, and how both countries utilised music as part of their cultural diplomacy, supporting their efforts in colonisation, decolonisation and state-building. Secondly, Percy focuses on the interrelations between music and politics in twentieth-century authoritarian states, especially in Nazi Germany, Fascist Italy, Francoist Spain and Soviet Russia, studying how music was manipulated by these regimes to serve as a propaganda weapon and how it functioned as a medium for protest and resistance. Thirdly, Percy has a strong interest in the history of musical institutions, in particular symphony orchestras and opera houses – both professional and amateur. By analysing their programming, audience demographics and performance practices, Percy uses them as prisms to investigate socio-political issues, especially those concerning gender, race and class, in twentieth-century Europe.
At present, Percy is turning his doctoral thesis into a monograph. His PhD offers a comparative study of the Berlin Philharmonic Orchestra and the London Symphony Orchestra during the First World War, examining how their music-making and their performances were affected between 1914 and 1918, how they attempted to support their countries and societies throughout the conflict, as well as how the groups of people associated with them – namely soloists, conductors, orchestral players, critics and concertgoers – contributed to, and also reflected, the identity of classical music in late nineteenth- and early twentieth-century Germany and Britain.
Percy teaches on the following modules at LJMU:
Level 4 -
4101HIST: Exploring History
4102HIST: The Faces of Britain
4104HIST: Modern European History
Level 5 -
5101HIST: Debates in History
5102HIST: Research Paper
5128HIST: International Fieldwork: Modern Germany
Level 6 -
6106HIST: 'We would not know there was a war on': Life on the British Home Front During the Second World War
6128HIST: Nazi Germany: Dictatorship and Genocide
Languages
English
German
Chinese (Cantonese)
Chinese (Mandarin)
Degrees
University of St Andrews, United Kingdom, Doctor of Philosophy
University of Cambridge, United Kingdom, Master of Philosophy
Durham University, United Kingdom, Bachelor of Arts (Hon)
Academic appointments
Lecturer in Modern Western/Central European History, Liverpool John Moores University, 2023 - present
Teaching Associate, Queen Mary University of London, 2022 - 2024
Assistant Lecturer, Humboldt-Universität zu Berlin, 2020 - 2021
Book review
Leung P. ‘Review of Joseph E. Morgan and Gregory N. Reish (eds.), Tyranny and Music (Lanham, MD: Lexington Books, 2018)’, Music & Letters, 100/1 (2019), 174-177.
Leung P. ‘Review of Jonathan O. Wipplinger, The Jazz Republic: Music, Race, and American Culture in Weimar Germany (Ann Arbor: University of Michigan Press, 2017)’, German Studies Review, 42/3 (2019), 617-619.
Leung P. ‘Review of Klaus Nathaus and Martin Rempe (eds.), Musicking in Twentieth-Century Europe: A Handbook (Berlin and Boston: De Gruyter, 2021), Connections: A Journal for Historians and Area Specialists (written in German)
Leung P. ‘Review of Melissa D. Burrage, The Karl Muck Scandal: Classical Music and Xenophobia in World War I America (Rochester, NY: University of Rochester Press, 2019), Music & Letters, 104/1 (2023), 151-152.
Leung P. ‘Review of Abby Anderton, Rubble Music: Occupying the Ruins of Postwar Berlin, 1945– 1950 (Bloomington: Indiana University Press, 2019), Music & Letters, 320-322.
Internet publication
Leung P. ‘The Berlin Philharmonic in the First World War’, Berliner Philharmoniker (2022). Publisher Url
Other
Leung P. ‘Symphonic Beneficence - The London Symphony Orchestra’s Charity Concerts During WWI’, Oxford Musician (2023). Publisher Url
Fellowships:
Associate Fellow, Royal Historical Society.
Fellow, Royal Asiatic Society.
Fellow, Royal Society of Arts.
Other Professional Activity:
Culture Columnist, CUP Magazine Hong Kong (2018-2023)..
Curator of the Exhibition 'Southbank Sinfonia 20th Birthday Concert' (2022)..
Guest Expert on ‘Summit’, Radio Television Hong Kong (episode: ‘In Defense of History’) (2017)..
Guest Speaker at the Launch Event of the London Festival of Baroque Music at St John's Smith Square ('Baroque Music in Spain, c.1570 to 1750') (2023)..
Guest Speaker on ‘Mentioned in Dispatches’, Western Front Association Podcast (episode: ‘The Berlin Philharmonic & London Symphony Orchestras in WW1’) (2019)..
Researcher and Programme Consultant for BBC Radio 3 Sunday Feature, 'The Ruhleben Legacy' (2018)..